SEEKING NYC Creative Collaborators for “Celebration of Life!” September 11th, 2011 – “Be-In”

SEEKING Dancers, Choreographers, Percussionists, Body Painters, Photographers, Videographers, and advance & on-site Event Organizers for

CELEBRATION of LIFE!”

A “Be-In” & Music Video Documentary

Photo by Judith Z. Miller - Necklace includes Cornelian and glow-in-the-dark Beetle

Tree Branch Necklace by Judith Z. Miller

NYC artists who want to collaborate, please let us know what skills you’d like to share!

CONTACT: CelebrationofLifeNYC@gmail.com; search “Celebration of Life! Be-in” on Facebook; event hashtage #911COL

View Video Invitation:

“Celebration of Life!” – a dance-percussive-art “Happening” – features Sticks & Stones healing ritual artist Judith Z. Miller’s primal wearable art and sculpture made from trees and stones, set to a live soundscape of global rhythms by Music for the Masses DJ Neva Wartell, in Park Slope’s lush St. Marks/Warren Street Community Garden.

The event will be held on Sunday, Sept. 11, 2011. Admission is free and open to the public.

“Celebration of Life” will include dancers in body paint wearing Judith’s handmade, one-of-a-kind amulets, moving throughout the garden with her “Sacred Staffs” made from the roots and trunks of trees. Dancers will be accompanied by music spun by DJ Neva along with live percussion. The community will be invited to participate.

Dancers are invited to honor the earth by creating movement in response to the song “MANKIND” by MAURI, accompanied by live music. The song may be heard and downloaded at this link:

http://mauri.bandcamp.com/track/mankind

Lead singer for the band "MAURI"

Mauri

This is a community event – participation is on a VOLUNTEER basis only.

*RAIN DATES, Saturday September 24/Sunday, September 25th.

** Those participating in the videotaped documentary must sign a standard model release form.

Contact: CelebrationofLifeNYC@gmail.com; search “Celebration of Life! Be-in” on Facebook; event hashtage #911COL

DJ NEVA (Music for the Masses) is an ethnomusicologist and long-time cultural activist. Along with performances at festivals and events, she co-produces “New York International” — NY’s longest-running weekly live-format World Music radio show — on Haitian community station Radio Soleil (http://www.radiosoleil.com/).

More information: https://www.facebook.com/DJNeva

Radio show archive:http://djneva.podomatic.com/

DJ Neva

Judith Z. Miller is a self-trained healing ritual artist who lives in an erotic, musical, spiritual universe. Inspired by the beauty of nature and the guiding force of her intuition, she draws and creates primal sculpture and wearable art from trees, stones and found objects, which she fashions into ritual staffs, instruments, wearable amulets, and employs in healing rituals.

To learn more about Judith Z. Miller, go to:

http://www.fracturedatlas.org/site/blog/2009/10/16/f eatured-member-judith-z-miller/

http://www.indiegogo.com/Sticks-Stones-Goes-Global

http://www.zamo-zamo.com

http://www.youtube.com/v/Sjm-WeVEQso

Photo by Robert Herman

Judith Z. Miller with "AfterGlow" & "Trans-Formation" wearing Tree Branch Necklace

Contact: CelebrationofLifeNYC@gmail.com; search “Celebration of Life! Be-in” on Facebook; event hashtage #911COL

 

Posted in Brooklyn Community, Dance, Handmade Crafts, Multimedia, Music, Party, Performance, Photography, Spirituality, Video, Visual Art | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Tree Sculptor Judith Z. Miller Presents: Unique Tree Branch Percussive Instrument-Making Workshop – July 23rd – Park Slope Brooklyn – CANCELLED DUE TO HEAT WAVE

Judith Z. Miller with "Transformation" & shaker

THIS WORKSHOP WILL BE RESCHEDULED.

In a culture where we BUY everything, it’s a radical and fulfilling shift to create with our own hands. Come – join me in our lush and beautiful St. Mark/Warren Street Community garden – to make your own musical percussive shaker out of a TREE BRANCH/found materials and objects that are precious to you. 

I LOVE creating with trees! It’s so rewarding for me to go to music events or dance parties and rituals, or to dance and chant at my home or in nature, using the shakers I made with my own hands. It’s an affirming experience … Plus they are fun to make!

Spend Saturday afternoon in a beautiful, peaceful, setting with a small group of fun and creative people designing your own unique ritual percussive shaker.

Saturday, July 23rd from 1:00 pm – 4:00 pm

(Rain Date, Sunday, July 24)

Advance registration encouraged.

Suggested donation: $25; minimum $10 to hold space. Materials fee: $5 – $30 depending upon what you select.

Judith's personal ritual shakers

Maximum number of participates: 15. This workshop is for adults – young people over 14 may participate if accompanied by a parent or guardian.

To hold your space, please RSVP & make a deposit payment please go to www.PayPal.com – select “Send Money” for “Services” and type in Judith’s email address: zeldaarts@mindspring.com. Please pay at least $10 to hold your space. Walk-ins will be accepted if there is room – you are encouraged to pre-register.

Facebook Event Page, search “Tree Branch Percussive Instrument-Making Workshop”

Please bring cash for the remainder of the class fee ($25 suggested donation) – plus at least $5 for the materials fee, and more if want to purchase crystals and other special items available for sale.

Please arrive on time to select your materials and watch the demonstration.

Please bring:

• Proper fitting, comfortable, protective gloves such as bike/gardening gloves
• At least 30 bottle caps (ask at your local restaurant/bar)
• A selection of hanging earrings, bells, small pendants, crystals, small shells/nuts with holes in them, feathers, etc. to hang from/imbed into your instrument
• Wire cutters, small pliers
• Hammer
• Bug repellant, Sun Screen, hat
• Snack & drink

Instructor will supply:

Electric drill, tree Branches cut to size & drilled, Wire, extra Bells and Bottle caps, Glue, Carving tools, hammer, drill, Paint & Brushes, Sandpaper, Feathers, Embroidery thread, latex gloves, and Select Crystals (for purchase).

Participants will be invited to bring their instruments and join the fun by playing with the percussion ensemble at the garden’s upcoming “Celebration of Life,” tentatively scheduled for September 11th, 2011. The event is being videotaped for a documentary about Judith’s artwork.

Instructor Bio:

Judith Z. Miller is a self-trained healing ritual artist who lives in an erotic, musical, spiritual universe. Inspired by the beauty of nature and the guiding force of her intuition, she draws and creates primal sculpture and wearable art from trees, stones and found objects, which she fashions into ritual staffs, instruments, wearable amulets, and employs in healing rituals.

Judith’s wearable art and sculpture were seen by over 8,000 visitors in a 3-month solo show “Sticks & Stones” at the Boathouse in Brooklyn’s Prospect Park, sponsored by the Prospect Park Alliance and the Audubon Center. The events included a live jewelry fashion show and a performance by tap dance/percussionist Max Pollak who improvised with her “Sacred Staffs.’”http://www.youtube.com/watch?v=Sjm-WeVEQso Judith’s work was also presented by The National Museum of LGBT History in a 2-month solo show and has been seen at many BWAC shows in Red Hook. Her next solo show will be a month long exhibit at the Con Edison Gallery, December 2011.

Judith teaches her jewelry-making, percussive instrument making and experiential workshops at retreat centers and non-profit organizations. Her next workshop “Inner Wisdom & Blessings” will be part of the 2011 Global Goddess Gala on June 30th http://www.goddessherstory.org/#!workshops–and-events/vstc2=global-goddess-gala.

Judith was profiled in The Daily News; the subject of feature articles in Mann About Town magazine, Home News Tribune, In Brooklyn, The Park Slope Paper, The Wave, and The Daily Sitka Sentinel, and featured on NY-1 Television. She received Honorable Mention from the International Society of Acrylic Painters and in 2009 she was in residency with master Tlingit woodcarver Tommy Joseph at the Southeast Alaskan Indian Cultural Center in Sitka Alaska, funded in part by a grant from Fractured Atlas. http://artistsoulspeaks.wordpress.com/2009/10/14/mission-accomplished-the-spirit-in-the-mask/ In 2008 her paper “Sometimes a Tree Isn’t Just a Tree,” was read at the First International LSP-and Translation Studies Oriented Textual Analysis conference at Chouaib Doukkali University, El Jadida, Morocco. She is a 2011 British Airways Face-to-Face Opportunity contest winner recently returned from Thailand where she met with indigenous woodcarvers and shaman. http://www.indiegogo.com/Sticks-Stones-Goes-Global Judith resides in Park Slope Brooklyn and is a proud member of the St. Marks/Warren Street Community Garden.

Artist website: www.zamo-zamo.com – click on “Sticks & Stones” Window

Facebook Event Page, search: “Tree Branch Percussive Instrument-Making Workshop”

* Location: This unique workshop will take place In the St. Marks/Warren Street Community Garden, located on Warren Street between 4th & 5th Avenues in Park Slope Brooklyn. Take any train to the Atlantic Avenue Hub or the 2/3 train to Bergen Street.

Participants are encouraged to pre-register to hold a place.

Hope to see you there!

Mask photos by Ron Djemshidoff


Posted in Handmade Crafts, Music, Uncategorized, Visual Art | Tagged , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Grammy Culture War – Calling for NARAS Resignations & Boycotts!

The campaign to reinstitute all 31 Grammy categories

May 22nd’s press conference at the Nuyorican Poets Café in NYC was energized by the presence of some of the world’s greatest musicians. Accusations of cultural genocide, ignorance, greed – and a plea to save the Grammy’s from itself – specifically, by recanting the recent action of the NARAS Board to eliminate 31 Grammy categories.

The eliminated categories include not only Latin Jazz, Native American, Zydeco and Polka – but approximately one third of American music. The panelists perceived the decision by NARAS to be racist, destructive, divisive and shortsighted.

As Randy Klein, President of Jazzheads Records, pianist, composer, 4-time EMMY winner, stated, “This illiterate travesty means that the music of Beethoven, Bach, Chopin, Puente, Gillespie, Don Ho, Joe Falcon, Nicolas Daskalou, Hart Wand, and Wolfgang Amadeus Mozart are on the verge of being eliminated from musical history according to the very wise executives of NARAS.”

With the always eloquent drummer, composer, bandleader, educator and four-time Grammy nominee *Bobby Sanabria at the helm, the press conference brought together producers, independent label owners, writers and music lovers – and members of the press – to participate in a live broadcast on WBAI Radio, introduced by Ibrahim Gonzalez.

The panel included Larry Harlow, David Armram, Arturo O’Farrill, René Lopez, Cándido Camero, Ned Sublette, Ricky Gordon, T.J. English, Chris Washburne, Ramón Ponce. Jochem Becher, Ivan Acosta, Randy Klein, Jackie Harris, Mercedes Ellington, Ben Lapidus, Brenda Feliciano, Jackie Harris, Brian Lynch, and Ileana Palmieri,reading an eloquent statement on behalf of her father, Eddie Palmieri. Those I didn’t personally see in attendance but who also added their names to the list of supporters, included Jimmy Sturr, Pat and Ettore Phillips, and Rachel Z.

Although by and large representing the Latino community, the panel made a point of protesting the elimination of all 31 categories. Sanabria began his statement with a quote from Frank Sinatra made at the first Grammy awards in 1959 “Remember ladies and gentleman, it’s about excellence, not popularity” – and, referencing the once-esteemed organization’s mandate that demands cultural diversity –Sanabria stressed that instead of consulting the leaders of these important music genres, NARAS chose  – in secret, behind closed doors, and without notice or consult with the Board of Governors or the membership – to eliminate the categories, 70% of which represent indigenous forms and people of color.

NARAS presented its decision as a fait accompli – which panelists viewed as a snub to the rich cultural diversity of these United States.   Shocked and insulted by the NARAS decision, panelists saw it as part of a dangerous and calculated trend of commercialism, profits before people, and the consolidation of power into the hands of the few.

Mr. Sanabria spoke of the resurgence of the study of Latin jazz by today’s youth and sited the astounding musicianship of these young lions who he and other panelists mentor. By eliminating these categories, panelists expressed concern that today’s students are in essence being told that their music and the cultures they represent are unimportant and that they will have no future in the music industry.

Randy Klein, further stated, “The young generations of today are being cheated by NARAS by their decision to erase, eliminate, delete and expunge these musical categories.  This younger generation will not feel or experience this music because it will not even be mentioned as a lower third running across the screen of the Grammy TV broadcast.”

Panelists repeatedly emphasized the longevity and historical significance of the music in these categories as compared to the flash-in-the-pan popularity of most popular music. They pointed out that this very same music that has been cut has served and continues to serve as inspiration for the “pop” music that now appears to be taking up all of NARAS’ time, attention and financial investment. Mr. Sanabria also pointed out the absurdity of timing in choosing to cut out categories for Latin music when Latinos represent the fastest rising population in the United States. He also sent a warning out to all jazz musicians that their category will probably be next on the chopping block.

The group demanded the resignation of Neil Portnow, President of NARAS, the Board of Trustees, members of the top echelon of the organization, as well as calling for a boycott of CBS and all the Grammy sponsors.

The panel sent a call out to current NARAS membership to stand with them by agreeing to cancel their current memberships and not renew if all of the canceled categories are not reinstated. Mr. Sanabria also urged the NARAS Board of Governors to stand up and demand across-the board-reinstatement. NARAS members and the general public are encouraged to send a loud and clear message to by signing the petition at this link: Petition to Reinstate Latin Jazz Grammy: http://www.ipetitions.com/petition/latinjazzatthegrammys/signatures

And by sending NARAS President Neil Portnow a personal email demanding the reinstatement of all 31 categories at Neil@grammy.com

 Mercedes Ellington, Executive Director, Essentially Ellington Festival and the daughter of Duke Ellington, noted that music is one of the US’s largest exports, and that the very music the Grammy Board wants to cut from its list is represented by musicians who act as US ambassadors worldwide.

Mr. Sanabria expressed his frustration with the lack of “celebrity” artists who have spoken out publically against NARAS’ decision and sited the statements made by Carlos Santana http://www.grammywatch.info/?p=121 and
Rubén Blades (whose statement Mr. Sanabria read at the press conference) as two exceptions. Mr. Sanabria specifically bemoaned the lack of support by Wynton Marsalis, Chick Corea, Esperanza Spalding and the entire Board of LARAS (The Latin Recording Academy) who have all, to this date, remained silent.

Those in attendance chuckled when it was noted that the US Postal Service seems “hipper” than the so-called “musical experts” at NARAS when it saw fit to acknowledge Tito Puente by creating a stamp in his honor. However, the biggest laugh of the afternoon was elicited when 90+ year old Phoebe Jacobs, Luis Armstrong’s former manager, told the packed house at the Nuyorican, “The Grammy’s can kiss my ass!” She also called out to President Obama to get involved in the issue. Although equally as angered by the NARAS decision, most panelists called for the reinstatement of categories, and did want to walk away from the institution, preferring to invigorate the Academy rather than let the organization whither and die.

Getting down to brass tacks, Joachim Becker, president of ZOHO Music, stated: “Let me be frank and blunt here: Artists and indie labels know that the smaller, craft-and tradition-oriented categories like Classical, Latin Jazz, zydeco etc (as opposed to the hype, marketing dollars and sex appeal-based categories dominated by the major labels) require respect and a bit of a protective fence to flourish alongside the overwhelming competition of the majors.

If we don’t get this protection, we are going to be trampled to death in the larger generic categories into which we have been merged.”

Others noted that while another award to Beyoncé would not make much difference to her already overwhelmingly successful career, a Grammy nomination or award enables most working musicians in these categories to simply stay alive and earn a living doing what they do best.

Grammy winner, pianist, bandleader, educator Arturo O’Farrill, read a powerful and radical **statement. He warned the Academy, “Notice is being served, your days are numbered. Your corporate lap dance is coming to an end… Real music played by actual human beings, on actual instruments, composed by actual composers, arranged by actual arrangers, sung by real singers will not be denied!”

Ileana Palmieri, concluded the statement read on behalf of her father Eddie Palmieri, the Legendary pianist, 9-time Grammy winner and former NARAS Board of Governors member, and the man responsible for getting Latin Jazz recognized as a category, stating: “These cuts have discredited our historical importance and a source of cultural pride for so very many … some have suggested doing their own independent show in reaction, I can empathize where they are coming from, however, I do not believe that we can become legitimate or effective through segregation … I do not believe in musical apartheid.”

I urge you to support the reinstating of all musical categories. Please see the links below for more information, updates and how you can become involved.

* Full disclosure: I represented Bobby Sanabria as his manager via my artist booking and management agency, ZAMO!, for a five year period, including during the recording, release and nomination for his first Grammy for the album entitled “Afro-Cuban Dream … Live & In Clave!!!.”

Important links:

To hear the entire WBAI Radio broadcast http://archive.wbai.org/AllShows.php – scroll down to Sunday, May 22, 2011 1:00 pm

To get an historical sense of how this decision came about, see http://www.grammywatch.info/?page_id=30

For important information and updates go to: http://www.grammywatch.info/

 Official Statement from Eddie Palmieri

http://eddiepalmierimusic.com/news/1145

** Scroll down for the entire statement by Arturo O’Farrill.

Statement by Brian Lynch: “THE LATIN JAZZ GRAMMY TRAVESTY“: http://brianlynchjazz.com/blog/

Petition to Reinstate Latin Jazz Grammy: http://www.ipetitions.com/petition/latinjazzatthegrammys/signatures

Judith Z. Miller, AKA Artist Soul Speaks

This is Not About a Worthless Little Statue

By Arturo O’Farrill

This is not  about a worthless little statue.  It’s about solidarity.  It’s about standing up to the Neil Portnows of the world.  The backroom bullies who think that money is more important than people.  They think that no ones  going to notice that they line their pockets with cash by selling the American people down the river.  It’s about saying to corporate America, CBS, Sony, Warner, and for that matter Chase, Goldman Sachs and the like, that all the thievery they think they do in secret, is ugly, obvious and shameful.

They think that Art is useless because it doesn’t generate billions.  They think they have fooled the young people of America with their mediocrity.  They think they have won because they can sell young Latinos and African Americans visions of shit they’ll never have.  Bentleys, cognac, Piles of cash and gyrating scantily clad women.  As if those are important things to desire They have no shame because they think we don’t notice the absolute lack of musical, moral or intellectual value of the crap they sell, or the trinkets they accumulate or the backroom, ole boy backslaps they think they do in secret.

Well notice is being served.  Your days are numbered.  Your corporate lap dance is coming to an end.  The record companies are dying!  Hallelujah!  The people are not stupid, just lulled to sleep by your lack of relevance.  Real music, played by actual human beings on actual instruments, composed by actual composers, arranged by actual arrangers, sung by real singers will not be denied.

If the academy insists on going with your flawed leadership, if the injustice of these decisions, made in secret by a select gang of business people and supposed artists, then the academy no longer represents excellence.  Let it be known that the Academy of Recording Arts and Sciences no longer represents the highest artistic integrity of the recording arts in America.  Let it be know that the Grammy is for sale to the highest bidder.  Let it be know that even though our “straight ahead” brethren made no stink about it their category is next.   Let it be know that a new and substantially more important organization needs to be created.  One that cares about the original vision of the Academy founders.

I admonish Academy members throughout the world to demand that the integrity of our organization be restored.  That the flawed leadership of our president and his executive committees be called to task for insulting legions of dedicated artists. These decisions must be rescinded immediately or I am calling on Academy members to tear up their membership cards, put their gold plated tschotkes in a closet and stop aligning themselves with an organization that recognizes excellence only in commerce.

For the soul of our nation, for the humanity of all people, we demand that artists in stand up to the corporate shills and refuse, refuse to sell our children and their  children to the industry.  Pick up an instrument.  Practice on one.  Buy a trumpet for a young person, or a guitar or vocal lessons.  Stop feeding the machine which lies to you everyday.  Demand better of yourself and your leadership.  Do it now!  It is the single most important issue we face.  Say no to Mr. Portnow, say no to the academy, say no to the machine.

And finally, the 800 pound gorilla.  No one has spoken of racism but one glaring fact remains.  The fastest growing demographic in American history has been categorically denied by these buffoons.  In the past few months several of our heroes were honored by the US postal service.  One of whom received several Grammy awards for the very category whose cut we are protesting today.  Does anyone out there see the huge irony of Tito Puente being recognized by the US postal service as a group of his so called artistic peers disses him.  Can it be that the US postal service is hipper than the academy.  More socially conscious, more in tune with the times and the realities of our ever changing nation.  Or is it obvious that the Academy has finally revealed itself for what it is, a simple commercial device, controlled by commerce and it’s soulless mercenary leadership.

I pray that I am wrong.  I pray that good sense, and gentlemanly fairness will prevail.  I pray that aesthetic vibrancy, cultural relevancy and a love of integrity and sacrifice will emerge.  If not then I call on every National Academy of Recording Arts and Sciences Member to resign and put an end to this travesty.  Let it die, it ain’t making the money it sold its soul for anyway.

Posted in Business, Celebrity, Entertainment Industry, Jazz, Latin Music, Music, News, Uncategorized | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Post-Passover Commentary on the Death of Osama Bin Laden

Like many of my dear friends, in response to the death of Osama Bin Laden, I too posted this eloquent quote making it’s way around on Facebook – mistakenly attributed to Dr. Martin Luther King, Jr.

“I mourn the loss of thousands of precious lives, but I will not rejoice in the death of one, not even an enemy. Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.”

I just discovered the actual quote:

“I’m concerned about a better world. I’m concerned about justice; I’m concerned about brotherhood; I’m concerned about truth. And when one is concerned about that, he can never advocate violence. For through violence you may murder a murderer, but you can’t murder murder. Through violence you may murder a liar, but you can’t establish truth. Through violence you may murder a hater, but you can’t murder hate through violence. Darkness cannot put out darkness; only light can do that.” – Dr. Martin Luther King, Jr.

We Jews recently celebrated Passover.  As a not very religious Jew, Passover – a personal and communal celebration of spring, justice and liberation – is my favorite holiday. We remember the many miracles of the Exodus, including when G-d brought the 10 plagues upon Egypt, freed the Israelite slaves, and parted the Red Sea.

According to Midrash, Nachshon Ben Aminadev leaped into the water, but it was not until the water reached the very entrance of his nostrils, that the sea parted. This ACTION in the face of physical “reality” opened the way for liberation. Then Miriam, Moses’ sister, danced with her timbrel, leading the fleeing women through to safety.

"Dancing Through Fire" © by Judith Z. Miller 2008

After the Israelites reached the opposite shore, the pursuing Egyptians in their horse-drawn chariots, were trapped – and the sea came suddenly crashing down upon them – both man and beast horribly drowned in a churning-choking mass of screaming panic.

The Israelites barely made it across.

Turning back to look upon the crashing sea,  they witnessed this horrific sight, and heard the Egyptian’s dying pleas.

The Midrash says that Israelites were celebrating and the ministering angels wanted to chant their hymns too, but the Holy One, blessed be He, said, The work of my hands is being drowned in the sea, and shall you chant hymns?

It is my understanding of the Midrash that the Israelites were not also admonished from celebrating, because their death was imminent at the hands of the Egyptians.

Should we “celebrate” the death of Osama Bin Laden?

During our Passover Seder we also remember and recite the ten plagues inflicted upon the Egyptians. We place our pinky finger into our individual cups filled to the brim with dark, red, blood-like wine. We remove a drop of wine for each of the plagues inflicted on the Egyptians, our ancient slave masters. We consciously remove a portion of our joy– we withdraw a portion of our pleasure in their pain.

The Exodus story is deeply inspirational to Jews, Christians and Moslems alike –and has served as a blueprint for the liberation of many collective struggles. This ancient story is in our collective hearts and minds – and perhaps even our DNA.

On the surface, the story and the lessons of the Midrash surrounding it, are easily understood – but during times of great stress and strife, these same lessons are very difficult live by.

It’s relatively easy, while most of us in the US sit around well-stocked comfortable tables reading our Passover Haggadahs, to look back thousands of years and temper our celebration for the death of long-ago enemies.

But when events are in the present day – when we celebrate the death of Osama Bin Laden – it’s a much, much greater challenge.

On a personal level, when someone hurts me deeply, I sometimes feel a desire to retaliate. If my internal pain is great and deep enough, especially if it touches a sore wound from childhood … sometimes I crave and look forward to delighting in revenge or even witnessing my enemy’s ultimate demise.

Ah, the desire for righteous revenge and the joy of victory!

So sweet … so, “natural” … It feels good, this breathing a full deep fiery, angry breath.

But is this the kind of satisfaction we should relish?

9/11

When the tragedy of 9/11 occurred, the entire country was deeply hurt, shocked, damaged. We North Americans became vulnerable at home – for the first time since the Cold War, since the time of bomb shelters in basements — our national psyche became fragile.

I remember as a young girl being trained to hide under my desk at school in case of a bomb attack.  I recall being very young, perhaps in first grade, hearing the school alarm go off. My teachers’ usually calm voice became trembling and insistent – calling out for us to immediately get under out desks. I see myself in the memory of my distant past, a little girl, crawling under my old fashioned wooden desk with the attached metal chair, placing my hands over my head as I was instructed – wondering how this tiny desk was going to protect me from a bomb I could barely even imagine. But that memory was long ago, from when I was a young child – a vague puff of smoke.

Until 9/11, we, most North Americans, had no fear of this kind of attack – it happened ELSEWHERE, in OTHER countries, to OTHER people. Immigrants to the US remembered it happening in their home countries, but not here, not in “The Promised Land.”

Here in New York, our first reaction was to act, to save, to get those who were dying, OUT – to deal with the crisis, to search the ruins for life. Then came shock, disbelief, horror, sadness – and we bonded together in grief, in love for those who continued to search, for those who died, and in support of the entire City of New York, suddenly so vulnerable.

I recall hugging friends and strangers in the streets as they staggered finally to the safety of Brooklyn, to Flatbush and 6th Avenue, right on my corner, having crossed the Brooklyn Bridge – covered in soot; thanking G-d they were still alive.

© by Judith Z. Miller 2008

"Leah in Tears" © Judith Z. Miller 2008

I remember my friends who were alternative healthcare workers opening their clinics at all hours, to all-comers – offering free massages and soothing teas. We gathered in courtyards with friends – the physically, emotionally and spiritually wounded – to give and receive support. The energy of “tough” New York City shifted to a sea of compassion and love – suddenly we were all brothers and sisters – happy to see one another alive.

But then, that caring and compassion for our fellow human beings became twisted – the Bush administration played upon our fears, galvanized the shock and anger and focused it on Iraq – into a war for oil against a country that had no connection to the Tower’s demise. “Shock and Awe” our hurt emotions, were transformed to an slogan for attack. And with that war came an all-out demonization of everything Arab and everything Islam.

We were plunged into the hell of revenge upon revenge upon revenge – and to this day acts of terrorism continue worldwide – seemingly unstoppable.

The Death of Osama Bin Laden

The US sought to kill Osama Bin Laden, the mastermind of the Twin Tower suicide mission – and when we learn of his death, we want to celebrate his demise – it’s only “natural.”

But, is “celebration” appropriate?

If you compare the quotes above, you will see that in King’s actual quote, he goes even further – he condemns ALL violence, all killing – not only the unchecked celebration of a “righteous” killing – Quite a different statement!

In response to the quote I had posted on Facebook, my friend Debra McGhee wrote:

“You are so right! I was shocked at the reaction people had to this announcement. Frankly, I’m not at all sure how much of a difference it will make. Also, I remember when the Twin Towers fell and our TV stations showed footage of people dancing in the streets in Iran and on the West Bank. We thought they were BARBARIC. When YouTube picks up footage of Americans dancing because Bin Laden was killed, people in the Arab world will shake their heads and mutter about what a blood thirsty group we are . … I want US to be different. And yes, I know that it is different because 911 killed innocent people whereas the execution of Bin Laden brought to a close a murderous career. And yes, I know that Iranians are not Arabs. But still . . . we will not be well perceived with all this dancing and caring-on over an execution. Funny how Martin’s wisdom continues to work as the years go by.”

The desire for vengeance and the celebration of death has become a part of our every-day culture.  Violent mass media – from children’s games with machine-gun toting cartoon characters that rip each other limb from limb, to adult films glorifying invincible part-robot super macho men who destroy entire countries. These images create and mirror a vulnerable culture whipped into a frenzy. This frenzy created by and supporting the corporate take-over of the world economy, an economy of endless war and destruction – fueled by fears – nationalistic, racist, sexist, homophobic and xenophobic.

We live in a culture that teaches us that we are less than men and pitiful examples of women – if we don’t seek revenge in our personal lives and also celebrate world domination.

I wonder as I write today, can we step back from this “natural” desire to celebrate our enemy’s demise, to question – just for a moment – our desire to gloat about Bin Laden’s killing?

If not, I fear that our overly zealous celebration will be whipped up and confused so that the actions of one man or group will again be misconstrued to represent all Islam.

ASMA, American Society for Muslim Advancement http://www.asmasociety.org/ issued a press release on Monday, addressing the killing of Osama Bin Laden. Referring to 9/11, the release states:  “This act was carried out in the name of religion and was an affront on the human condition. As president Obama reminded us that this terrorist was not a Muslim leader and did not represent Islam. He caused many to question the fundamental core beliefs we hold dear-love of one’s fellow neighbor; respect for others’ ways of life, and; mutual dialogue and understanding.”

As Jews we are instructed to perform the rituals of the Seder as if we personally came out of Egypt. Only a week after Passover, do we wonder if G-ds’ commandment to perform the ritual acts of the Seder, to consciously remove a portion of our sweet and drunken pleasure in the joy of an enemy’s demise are relevant today?

I doubt if I can find a place in my heart to “love” Osama Ben Laden – but I can strive to love life, to love the Divine spark that glows in each of us. I pray that I will recognize that Divine spark – that I, that we, will value the millions of souls who remain on this planet, the millions of Divine sparks that live on earth right now.

During Passover, I dipped my finger into the wine of my drunken pleasure. The drunken pleasure of vengeance to remove a portion of my joy. I remembered. I pray that we will cherish the future.

I take this momentous occasion – the occasion of the death of Osama Bin Laden – a man who was the director of so much death – yes, to celebrate a kind victory – but more importantly, I take this moment to celebrate LIFE – ALL LIFE.

Perhaps we must walk into the Red Sea, like Nachshon Ben Aminadev, up to our nostrils in the “reality” of the world and its violence, knowing in our hearts that the sea will open because of our willingness to walk in the face of what the physical world tells us is “true” – to take ACTION on behalf of love. 

We must remember G-ds’ admonishment: to refrain from unabashed joy at the death of an enemy – to withdraw a portion of joy in response to our enemy’s pain and destruction.

We must remember, lest we become less than fully human in the celebration.

Let us take this time, this important moment in history to look inside, to temper our rejoicing — to dive UNDERNEATH our fears and our desire for vengeance – beyond righteous anger, to the Holy place of its origin … to our truest and holiest desire – the desire to be drunk on love, on peace, on justice – to dance with our timbrels – and to re-dedicate ourselves, instead, to those ideals.

The Exodus story is an inspiration to Christians, Jews and Muslims– to the Civil Rights Movement led by the glimmering torch of Dr. Martin Luther King Jr. Can we resist the urge to gloat about death? Perhaps if we can, then the Earth and all those who inhabit her beauty will have a future.

Morning Glory, © Judith Z. Miller 2010

Special thanks to Gella Solomon, Chani Getter and Debra McGhee for the information they supplied at a moments notice.

IMPORTANT LINKS:

Noam Chomsky: My Reaction to Osama bin Laden’s Death

May 6, 2011

We might ask ourselves how we would be reacting if Iraqi commandos landed at George W. Bush’s compound, assassinated him, and dumped his body in the Atlantic.

http://www.guernicamag.com/blog/2652/noam_chomsky_my_reaction_to_os/

Marianne Williamson debates the morality of people cheering the death of Osama Bin Laden.

http://www.nbclosangeles.com/news/local/The_Moral_Debate_Over_Bin_Laden_s_Death_Los_Angeles-121293464.html

Dick Gordon’s comments on the death of Osama Bin Laden on NPR’s “The Story.” http://thestory.org/extra-audio/Dick_Gordon_Commentary_re_Osama_bin_Laden.mp3/view

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Mary McBride: Soulful, Gritty, Gorgeous – A Knockout Performance at Joe’s Pub!

Mary McBride’s performance – rockin’ out of this world!

Mary McBride at Joe’s Pub, NYC – April 12, 2001

Drawing upon her Louisiana roots, her love/hate/comic relationship with church, mad songwriting skills, a great sense of timing, a good head for song selection, and a strong, sweet/raw voice that soulfully carries it all aloft – Mary McBride takes the stage and makes it her own.

The Glowing Marcy McBride

Tuesday evening at Joe’s was a finely sculpted powerhouse celebration of rock-country-gospel. Mary’s band is tight and groovin’, and she knows how to create intimacy with her audiences through her tender gritty voice and by allowing us into her world via funny, interesting stories – both personal foibles and performance adventures.

Mary McBride is a professional bandleader with serious chops and a soaring voice. Last night creating a highly danceable well-constructed evening full of heart and fire – she has truly come into her own.

Full disclosure: I’ve had a friendship and professional relationship with Mary, or as I call her, “Ms. McB,” since she was 11 years old – which eventually developed into a short stint as her booking agent a few years ago.

I first met Mary when she volunteered at The Fine Line Actors Theatre, the company I co-founded in Washington DC.  She was, to say the least, precocious. She had very firm opinions on just about everything, hung around with people three times her age, and traveled throughout the world.  All this was impressive, and at times annoying.

She also had an easy laugh and a radiant smile.

And – that voice!

Mary’s voice never ceased to amaze. Even at 11, Mary McBride was a powerhouse!

Knowing that “our little neighborhood find” had a future far beyond stapling programs for our shows, the theatre’s artistic director Jane LeGrand and I decided to feature her on stage.  Mary suggested “The Sun Will Come Out Tomorrow,” from the Broadway musical “Annie.” Although it was incongruous, we had Mary sing the tune before the curtain went up on our production of Noel Cowards’ “Private Lives,” (starring Jane). Sans amplification, Mary took command, and her buoyant, powerful voice floated to the rafters. An 11 year old with chops like that? Of course she brought down the house!

Mary has come a long way since her debut at The Fine Line. She has performed over 500 live shows in the US and Europe, including tour dates with Blondie, the Indigo Girls, the B52s, Cyndi Lauper, Koko Taylor, Tony Joe White, Delbert McClinton, Joe Cocker, Maria Muldaur, Jerry Lee Lewis, and the late Clarence Gatemouth Brown. Mary performed “No One’s Gonna Love You like Me” on-screen and on the soundtrack of the Academy-award winning film Brokeback Mountain, along with tracks from Willie Nelson, Emmylou Harris, Rufus Wainwright, Steve Earle and others. Mary was chosen by Elton John to sing at the 35th Anniversary Concert of Goodbye Yellow Brick Road,” and her songs have also been featured on episodes of The L Word and Queer Eye for the Straight Guy. Her song (co-written with Dan Baird) “Would it Kill You?” was recorded by the Yayhoos for their 2006 release Put Your Hammer Down.” Mary is currently writing the score for a new musical, The Nitpicker,” directed by Tony award winner Scott Ellis.

A packed audience welcomed her back home to NYC. I ended up standing negotiating for the best sight lines and dancing space with three of Mary’s (very tall) friends from grammar school. When I mentioned Mary’s performance Back in the Day of  “The Sun Will Come Out Tomorrow,” one of the women told me that it was Mary’s favorite song. And that she remembered when Mary had surreptitiously taken over their schools’ PA system to sing it to the entire school over the loudspeakers. Mary got suspended as a result. But, her friend effused, “it was the best school day I ever had!”

Well, Tuesday night was one of the best “school nights” I’ve ever had! Since the last time I saw Mary perform at Joe’s, she’s got a new show – created and honed on the road via her “Home” tour. http://thehometour.org/ The tour stops at “places people call home,” including long-term health care centers, homeless shelters, homes in low-income communities, homes for people living with HIV/AIDS and homes for people living with mental and physical disabilities – very different venues from the upscale setting at Joes.

Mary told her rapt audience at Joe’s Pub about her “captive audience” of prison inmates – one of whom, “Animal,” approached her, requesting a tune in the evenings performance …  she fulfilled his wish, and last night, blew us away with her soaring gospel/rock version of “Swing Low Sweet Chariot.” Those of you who regularly read this blog will know that I respond to music physically – this beautiful rendition inspired both heavenly visions and expansive prayerful movement.

Mary McBride

Most of Ms. McB’s new tunes are delightfully raucous originals, with lyrics about lost love that make you laugh and cry simultaneously, or those that just make you shake your head at your own dumb mistakes – or tunes like “Would it Kill You?,” that helped me vent my annoyance and anger sharing living space with other human beings ever again — via some intense bootie-shakin’.

But it was The Beatles “Let it Be” that stunned.

It seems that I never really “got” the song until Mary sang it last night with such gentle simple clarity. I envisioned the meditative lyrics shown in blazing yellow light  – we, and I pray, G-d, heard her beautiful prayer too.

Another cover, Hank Williams’, “I’m So Lonesome I Could Cry,” one of my personal favorites, shook me to my core.  Mary’s plaintive lilting call echoed the feelings in my heart, her exquisite voice gliding like a “falling star” illuminating Hanks’ poetry.

My only frustration with the show was that Mary didn’t invite the audience up on its feet to dance. Although Joe’s is ostensibly a “sit down” venue – there’s always enough room to wiggle. The way I figured it, only the dead wouldn’t be “itchin’” to dance; all they needed was a little coaxing to get up – and get down.

I, however, needed no invitation – and I danced my chubby little butt off in whatever places I could carve out amid the throng – to just about every tune – from the first note on the guitar – only stopping for a few minutes due to complete exhaustion to catch my breath and down some water – to have fuel for the last notes of Mary’s wildly received encore, “Cross the Crosser.”

Although I wouldn’t list rock or country as my favorite music genres to dance to, Mary sings with so much soul – and with the backing of her sensitive and tight band, Tommy Borscheid and Paul Carbonara – guitar, Kenny Soule – drums, and – bass, they pull it all together so professionally and with so much raw, gritty energy, their music propelled my body into motion throughout the entire performance.

And, some fabulous celebrities were in the audience at Joe’s Pub to catch this rising star, including Liza Minnelli and Nathan Lane. To see images of Liza and Nathan and others who attended the performance and after-party, go to http://www.patrickmcmullan.com/site/event_detail.aspx?eid=36929&home=1 

My two friends who showed up late to the packed house at Joe’s were, disappointedly, turned away at the door.  Don’t let this happen to you! Take my sage advice: be on time; and RUN – don’t walk – to Mary McBride’s next show!

New Yorkers: Mary McBride will perform on Monday, May 9, 2011 at The Highline Ballroom.

Concert starts @ 8PM; Doors open @ 6PM

www.marymcbride.com

http://thehometour.org/ 

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Elizabeth Taylor & My Big Brother

I sent the link of my recent blog post – about calling Elizabeth Taylor – to my Big Brother, Dick Miller. <http://tinyurl.com/preview.php?num=4fa5bye> Why do I capitalize the words “Big Brother”?  Because although I never intended to follow in Dick’s footsteps -  he blazed my path. Dick worked as a photographer and then founded his own management company representing performers. Somehow, even though I long-resisted being part of that world, I chose the same exact same road.

When Dick received my message, he dashed off a quick reply, writing that – as soon as he got back to his office – I was to expect a photo. Shortly thereafter Big Brother Dick sends me this amazing image – of him with Ms. Taylor  – it just blew me away!

Photo by Deborah Miller

Dick Miller & Elizabeth Taylor in 1981 - Double-Click the image to enlarge

Ha! I had to laugh at myself. Here I was, blogging about a brief telephone conversation with the famous Elizabeth Taylor, when Big Brother had not only met her, but had gazed lovingly into her eyes … and was bathed by a warm and loving gaze in return – WOW!

In addition to his work representing artists, my Big Brother Dick Miller wrote a syndicated entertainment newspaper column for 15 years from the early 1970′s until the 1980′s. DICK MILLER, NEW YORK, NEW YORK was primarily about New York City Broadway and other entertainment news.

His upbeat column spoke of people involved in show business in a positive and informative manner. Dick covered Opening Night performances of Broadway, off-Broadway and nightclub shows, mixing with all of the stars and creators of the productions, including interesting facts about them in his column.

Readers would remark in letters to Dick that they knew if he didn’t write about a performer or a show, there was a good chance Dick Miller didn’t care about it and didn’t want to say anything negative. Unlike most columnists who dished the dirt – my Big Brother just ignored what he didn’t like, maintaining his positive approach.

Dick met and spoke with Elizabeth Taylor, (documented in this photo taken by his wife, Deborah Miller – his girlfriend at the time of the photo – on May 7, 1981), at the Opening Night party of “The Little Foxes.”

He wrote about the meeting in his syndicated column:

“Liz Taylor was extremely generous. You look at this photo, the way she was looking at me. That was not posed. She showed tremendous interest in talking to me. You don’t always feel that from a major star.”

It’s interesting to me that we both chose the word “generous” to describe Ms. Taylor.

And, I just discovered something else, a document that showed me again that I was, even then, following in Big Brother’s path …

I just looked back at The Washington Post review of The Fine Line Actors Theatre production of Marsha Norman’s “Getting Out.” I was the executive director of the company and performing the co-lead in the show. I was also raising money to support our Women’s Prison Project.  When I looked at the date of the article, I discovered that I was calling Ms. Taylor to support our Project at just about the SAME time Big Brother Dick was gazing into her violet eyes – the Spring of 1981 – 30 years ago!

Strange – and synchronistic, right?

To give you some background on this photo:

My brother Dick and his wife Deborah attended the Broadway Opening of “The Little Foxes,” at the Martin Beck Theater, now the Al Hirschfeld Theater.  After the Opening Night Gala The Millers celebrated along with celebrities Liza Minnelli, Senator John Warner, Shirley MacLaine, Anne Miller, Joan Fontaine, Halston, Bill Blass and dozens of other notables. During that memorable celebration, Dick talked with Elizabeth Taylor and reported about the event in his Syndicated newspaper column.

… That Opening Night event was taking place during the same time-period I found myself speechless in response to Elizabeth Taylor answering her own phone.

Hmmmm …

There is a spider web that connects us – with gossamer strands of blood that tie us together to family. Sometimes we don’t see the threads ‘till we look back, lovingly, may years into the past … as we remember the generosity of others, clearly expressed through the kindness of voice and the beauty shining through violet eyes.

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Elizabeth Taylor – A Gracious Lady

I lived in Washington DC in the 70′s and 80′s where my partner Jane LeGrand and I founded and ran The Fine Line Actors Theatre.

In addition to a full season of plays, we produced a series of special constituency projects. We had a very successful run of Marsha Norman’s ”Getting Out,” and we were raising money to bring the show to the Women’s Detention Center in DC and to the Women’s Federal Penitentiary in Alderson West Virginia. Jane and I were to perform the leads in the show and stay on in residency for 6 weeks, teaching workshops and performing with the inmates. I was in the process of contacting people, mostly local celebrities, politicians and activists, to participate in and support a fundraiser for ourWomen’s Prison Project.

My brother, Dick Miller, is 11 years my senior – and when I was growing up, he was an agent and manager – the biggest agent for kids on Broadway. Dick took me to lots of shows and events. I’d met many famous people.

It was 1982 and Elizabeth Taylor was married to Senator John Warner from Virginia.

I figured, I’m good on the phone, relaxed around famous people – so, hey what the hell– why not call Elizabeth Taylor and see if she’s appear at our event? After all, it was for a good cause.

I looked in the phone book and, low-and-behold, found “Elizabeth Taylor” listed in Georgtown …

so I called.

A woman answered the phone. I said, “This is Judith Z. Miller, executive director of the Fine Line Actors Theatre calling for Ms. Taylor …

the voice said, “Yes.”

I said, “I’d like to speak with Ms. Taylor” …

the sweet-voiced woman replied, “Yes.”

I explained why I was calling, and said “I’d like to speak directly to Ms. Taylor” …

the voice said, “This is Ms. Taylor”

I was struck dumb!

I’d figured I was going to have to go through at least three secretaries to get to the famous Elizabeth Taylor — if I was lucky to reach her at all — and there she was answering her own phone!

I was speechless!

I felt myself starting to hyperventilate.

When I regained my composure, I told Ms. Taylor more about The Fine Line’s Women’s Prison Project. She listened attentively. In a very kind and respectful voice, she acknowledged how important the project was and graciously explained that due to a prior commitment, unfortunately, she needed to decline my invitation.

The fundraiser went on as planned, with local kids performing, local TV personalities, fire-twirlers – and all manner of acts.  The proceeds from this event, along with the grants I wrote, and the donations that poured in from concerned citizens and organizations, enabled us to raise the funds to bring “Getting Out” and our workshops to the people who needed to experience them most – women in prison.

Even though Elizabeth Taylor couldn’t appear at our event, I will never forget how lovely she was to me – a total stranger calling her out of the blue asking for her help.

… And that THE Elizabeth Taylor answered her own phone!

May G-d rest your soul gracious lady!

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Essensuality: An Evening of Erotic Expression Saturday, March 19 · 8:00pm – 11:00pm

Sex, love, relationship…
Anger, passion, longing…
Unspoken desires, unrealized fantasies,
Unheard of sensual adventures…

…Essensuality invites out the essence of sensuality. The raw, vulnerable, uncensored, tender – usually private – moments step out into the spotlight to be shared. In poetry, spoken word, dance. Comedy, storytelling, music. Or some genre of your own imagination.

The evening will include: Featured acts, open mic performances, and spontaneous combustion…not necessarily in that order. Comfortable seating in the round, a limited bar, and an unrushed evening of erotic expression. Opportunities to laugh, cry…and blush.
(SCROLL DOWN FOR FEATURED PERFORMERS!)

Bring yourself, your friends, your lovers. Your desire, your embarrassment, your uncertainty. It’s all welcome here! After all, that’s what it is to be a sensual being. And that’s what we’re celebrating…the sensuality that lives — whether hidden or on the sleeve — of every single one of us.

WOW Cafe Theatre
59-61 East 4th Street, 4th Floor
New York, NY

FEATURED PERFORMERS 3/19/11

*She’s Black, He’s Jewish, They’re Married, Oy Vey!
Essensuality welcomes back Epstein and Hassan, known on the NYC comedy circuit as The Black and the Jew, a husband and wife comedy team willing to talk about “all things that make us nervous!” New York Daily News has called them “the Burns & Allen or the Lucy & Desi of the new millennium.” They will bring their unique blend of shoot-from-the-hip truth-telling and hilarious insights on relationships, politics, families, race and, of course, sex. Epstein and Hassan will reveal how BlackJew Love Technology could save the planet!

*Jeremy Edwards (www.jeremyedwardserotica.com) writes quirky erotic fiction celebrating joyful sensuality, libidinous urgency, offbeat romanticism, and the pleasures of language and laughter. His novel Rock My Socks Off is an eroto-comedic romp through academia, live television, and a dysfunctional rocking-horse museum. The book takes on a theatrical dimension at Essensuality, as the author performs a favorite chapter in a live reading seasoned with improv and audience participation.

*Performance poet, Aimee Herman, works as editor of erotica for Oysters & Chocolate. She has performed at various reading series including In the Flesh, Queer Lit Carnival and The Red Umbrella Diaries in NYC. She can be read in the anthologies, Best Lesbian Love Stories (Alyson Books), Best Women’s Erotica 2010 (Cleis Press) and Nice Girls, Naughty Sex (Cleis). She promises to excite, enthrall, entice and…perhaps even reveal all!

Judith Z. Miller will be reading her intimate poem “River of Love.”

Tickets are $10 in advance, $12 at the door
For tickets and information: www.thesensuallife.com/events

Or click here: https://events.r20.constantcontact.com/register/eventReg?oeidk=a07e3ibgqv798ac9ce9&oseq

TO PERFORM: Contact Monica Day by email monica@thesensuallife.com or call 215-901-1327.

*Special Note:*
This performance of Essensuality is the finale of the four-day festival:
The Sexual Act: An Experimental Erotic Performance Art Festival
“Exploring intimacy and how we relate to it”
Wed-Sat, March 16-19, 2011
To learn more about the other performances, and obtain a discounted festival pass go to http://passionatepersuasions.blogspot.com/

Posted in Literary, Performance, Sexuality, Uncategorized | Tagged , , , , , | 1 Comment

STICKS & STONES SELECTED AS 2010 BRITISH AIRWAYS FACE-OF-OPPORTUNITY WINNER

Artist Judith Z. Miller of Sticks & Stones, a Park Slope Brooklyn NY woman-owned business, today announced that she has been selected by British Airways as a 2010 Face-of-Opportunity winner and has been awarded travel to anywhere in the world to conduct vital business meetings as well as attend the British Airways Face-of-Opportunity business conference. This award is part of the British Airways Face-to-Face program, which provides small business owners and entrepreneurs the critical tools for building business relationships abroad and stimulating growth through the power of face- to-face interaction.

Ms. Miller’s campaign to support her travel can be found at: Sticks & Stones Goes Global!: http://www.indiegogo.com/Sticks-Stones-Goes-Global?a=64975&i=addr

“I am thrilled to be part of the prestigious group of entrepreneurs who were chosen by British Airways as a Face-of-Opportunity winner,” said Ms. Miller. “This flight will give me the chance to meet and study with indigenous artists and local shaman in Thailand, which is vital for my personal development as an artist and ritual healer, and the growth of my business in 2011.

Judith Z. Miller with "AfterGlow" and "Trans-Formation" made from the roots and trunks of trees

Before taking off for Thailand, Miller will attend the British Airways Face-of-Opportunity conference in New York City on Feb. 2, 2011 where the company will receive free counsel from top influential international business experts while networking with venture capitalists, renowned entrepreneurs, media and other small business owners including Ms. Miller.

Miller continues, “I plan to travel to Thailand, a country with a centuries-old tradition of woodcarving, in order to meet and study with indigenous master wood carvers and native shaman. My goal is to increase my technical proficiency, deepen my work as a healing ritual artist — and document the experience on video. I will also learn about international commerce from the British Airways sessions, make global connections with the other contest winners, and explore ways to exhibit my work overseas.

The conference, which includes an introduction by Simon Talling-Smith, Executive Vice President Americas, British Airways, and keynote speeches by Rhonda Abrams, best-selling author and USA Today small business columnist and Bill Rancic, best-selling author and first season winner of The Apprentice, will provide Sticks & Stones with additional tools in business planning, marketing and travel to assist the company in its strategy to exhibit and sell artwork internationally.

“We are very excited for this phase of the program and for the 250 small business owners who, beyond the educational resources already provided through the Face-to-Face program, now have the opportunity to fly British Airways overseas to conduct vital face-to-face meetings for their business,” said Simon Talling-Smith. “Each of the winner’s stories is uniquely inspiring and our hope is that the program is a powerful catalyst in ensuring lasting and fruitful businesses for them.”

Brooklynites may recall Ms. Miller’s three-month solo in 2007 in Prospect Parks’ Audubon Center in honor of Arbor Day at the Boathous which drew over 8,000 visitors and profiles on both NY1 and in The Daily News. To view images of Ms. Millers’ artwork and contribute to the fundraising campaign to support her trip to Thailand, go to:

About British Airways:
British Airways is one of the world’s largest international airlines. Operating one of the most extensive international scheduled airline route networks, together with its codeshare and franchise partners, the airline flies to more than 300 destinations worldwide. Also, one of the world’s longest established airlines, it has always been regarded as an industry-leader. British Airways flies its customers at convenient times to the best located airports across the world.

British Airways is one of the world’s leading global premium airlines with its principal place of business is London with significant presence at Heathrow, Gatwick and London City. It also operates a worldwide air cargo business, largely in conjunction with scheduled passenger services. The airline operates the majority of its domestic UK, international and intercontinental flights from its home at Terminal 5, Heathrow.

Whether customers are in the air or on the ground, British Airways takes pride in providing a full service experience.

Additional information on Face-to-Face is available by visiting the airlines website, ba.com/facetoface.

CONTACT:
Jacquelyn Einaugler for British Airways
Text 100 Public Relations
Email: Jacquelyn.einaugler@text100.com
Phone: 212.871.3952

Sticks & Stones Goes Global!: http://www.indiegogo.com/Sticks-Stones-Goes-Global?a=64975&i=addr

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Sticks & Stones Joins HANDMADE – A Winter Artisan Showcase Project

I’m delighted to announce that my handmade necklaces for men and women made from trees and stones are now available for purchase at HANDMADE, a winter artisan showcase project on Smith Street in Carroll Gardens, Brooklyn New York.

Tree Branch Necklace with Smokey Quartz, Carnelian, a Glow-in-the-Dark Beetle, Wire & Glass Leaf Beads; Model Wayne Tucker

HANDMADE gallery is located at 343 Smith Street Brooklyn NY 11231

The gallery will be open through mid January 2011.

HANDMADE is a workshop gallery artist foundation project showcasing artisan work for the winter 2010. Workshop Gallery Artist Foundation is a 501.c.3 non-profit corporation. The gallery is semi-collective artisan space dedicated to the celebration of cultural expressions, transparency in our processes, the sharing of our philosophies and a welcome to others with creative ideas. The foundation was founded in 2009 to promote and facilitate the process of keeping traditional craft alive and a vibrant in our world and to encourage the interpretation and expression of such through the individual artisan. CIE is a semi-cooperative venture sponsored by WGAF so that our affiliated artist may develop skills as they create marketable products. Sales directly support the artist and the special programs which bring art into the public sphere and our communities throughout the year.

Tree Branch Necklace with Sea Glass and Glass Leaf Beads


The project is made possible through the generosity of the owners of 343 Smith Street, donors and artists.
Photo by Judith Z. Miller

Tree Branch Necklaces with Glass Leaf Beads; Model Wayne Tucker


In addition to my work created from trees and stones, on display and available for purchase are absolutely exquisite pottery, an eclectic display of handmade jewelry, along with the work of a diverse group of talented artists in a variety of media. The collection is growing daily. I’ll update this post with images of that work as soon as it becomes available.

Tree Branch Necklace with Amethyst & Glass Leaf Bead


For more information contact Workshop Gallery Artist Foundation at brooklynworkshopgallery@earthlink.net or call 718-797-9428 for hours and more information.

Connect via Facebook at http://www.facebook.com/pages/Brooklyn-Workshop-Gallery/112626352108854

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