Immigrants Lives – Making it Real

strangers, neighbors, aliens in a new america

Warren Lehrer & Judith Sloan

When is the last time you witnessed something IMPORTANT?

I’m lucky – I live in NYC –where the opportunity to experience art abounds.  But “great art” with COMPASSION? Not so easy to find.

I was twice lucky in these past three days to bear witness to both: Saturday, I was blessed to see Al Pacino in “The Merchant of Venice” (after waiting on line for 8 hours), and tonight, I was fortunate enough to waltz right in off the street, to experience Judith Sloan and Warren Lehrer’s “Crossing The Blvd” – a beautiful, inspiring and wrenching multi-media performance piece – illuminating immigrant stories of Queens New York – the most diverse community in the United States. The show, echoing the husband and wife team’s book of the same name, was performed (sadly for one night only) at the spanking clean New York Institute of Technology’s auditorium on Broadway and 62nd Street.

I remember Sloan’s work from many years ago – back then I was first impressed by her ability to transform, her tenacity and her radical commitment to theatre – to making work that mattered.  Tonight’s performance also brought me back over 35 years in my own life as performing artist, to the dedication of days gone by – when I made an impact on my community in Washington DC with the groundbreaking Women’s Prison Project, a workshop/performance program of The Fine Line Actors Theatre, which I co-founded.

Judith Sloan is an actress, writer, radio producer, human rights activist, oral historian, poet, and audio artist who lives and works in Queens with inner-city youth. She as been produced in theatres and festivals throughout the U.S. and abroad. Sloan is unafraid of speaking the truth and of keeping it real. “In listening to what people have to say, Judith Sloan captures the essence of their lives … She is one part Studs Turkel, one part Lily Tomlin, and two parts originality.”  The Herald, Bloomington

As flowing water easily fills any size or shaped container, Sloan has the uncanny ability to shift effortlessly from a live-loving, middle-aged Egyptian restaurateur, to a regal Russian-Jewish dancer, to a tough Filipina barmaid – exploring the physicality and passions of these characters without a hint of caricature or affectation. Instead, her monologues, pared down and scripted from hours of interviews with Queens New York immigrants, are created and performed with the utmost respect and compassion.  While Lehrer’s stunning, stark, luminous photos proved both the spatial context of Queens New York, along with the real-life portraits of the immigrants Sloan inhabits with such ease and fluency.

Lehrer and Sloan’s highly entertaining and accessible doorway into the lives of immigrants is IMPORTANT – a major contribution – and it should be seen and discussed in every community across the United States. While the debates about immigration rage on with much passion, accompanied by racial profiling and misinformation, “Crossing The BLVD,” created by two world-class artists, allow us to see, feel and understand, with compassion, the stories of these immigrants – the real human beings – who are our neighbors.

I encourage you to learn more about this important project, which has been supported by such prestigious organizations as The Rockefeller Foundation (PACT), The Greenwall Foundation, the J.M. Kaplan Fund, and many, many more – and to buy the book and companion CD – (available together because of significant funding for only $35!) — and to share them freely with your friends and family.

I further encourage you to DO something IMPORTANT – that is: to bring the live performance of “Crossing the BLVD” to your community!

To learn more about “Crossing the BLVD”  along with Lehrer and Sloans other projects – contact Judith Sloan and Warren Lehrer:

info@earsay.org

718-791-4320

http://www.earsay.org

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About artistsoulspeaks

Zelda (aka Judith Z. Miller) Bio Zelda (aka Judith Z. Miller) is a multifaceted artist who lives in an erotic, musical, spiritual universe. As a feminist Jew who studies shamanism, she is inspired by the beauty of nature and the guiding force of her intuition as she explores the themes of connection to the Earth, spirituality, sexuality and gender. She sculpts, draws, writes, performs, photographs, and is an ecstatic dancer/percussionist/healer. Currently, under an Individual Artist Commission awarded by Arts Mid-Hudson, Zelda is developing Que Será, Será (Whatever Will Be, Will Be), a multi-media one-person show that chronicles the joys and challenges of navigating non-binary Queerness from a childhood in the 1950s to adulthood. This project is made possible with funds from the Decentralization Program, a regrant program of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Arts Mid-Hudson. She is also producing ZELDA’S Happenings, a series of black-light, body-painting, percussion dance parties that will produce original wearable art for a new UpState Artists Clothing Collection representing artists of the region. Zelda co-founded The Fine Line Actors Theatre in Washington DC and performed at such venues as Source, GALA Hispanic Theatre and the Kennedy Center in DC, in NYC at WOW Café Theatre and Dixon Place, at the Lace Mill and with the TMI Project in Kingston. She published in Inside Arts magazine, The Washington Post, and American Theatre magazine. Zelda currently resides at the Lace Mill artist residence in Kingston NY with her Great Dane “Z”.
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